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Marilyn Sholin on Portrait Photography (posted March 2008)
By Maria Piscoo
Marilyn Sholin (www.marilynsholin.com)
is truly an artist, combining photography of children and family portraits with
Corel’s Painter software to create a mixture of vivid color and textures that
are bold and soft at the same time. Her work is by private commission and she
teaches classes at professional photography schools worldwide and is the author
of photography books published by Amherst Media. Marilyn’s accolades include award winning photographs
published in the PPA magazine, National Association of Women Business Owners
(NAWBO) awards and she is the only artist
approved by the Miami Children’s Museum to link to their website. Contributions
from her photography brought in over $100,000 to the museum.In this article, Marilyn will talk about her business and
marketing success. Maria Piscopo: How important is your style to giving you marketing “edge” in such a
competitive market as children’s portraits?
Marilyn
Sholin: I have always striven to be on the cutting edge of whatever market I
entered. When I began professional children’s portraits, I researched the
market and saw that around the country high key white backgrounds with props
was very hot. In my market area, no one was doing that style. So I went after
learning that style and made my "name" doing high key children’s
portraits. I was the only game in town at that time. So for twenty five years I
have always worked the same way, incorporating my personal style of portraiture
into what is missing in my targeted markets. That is what has always given me
the edge on the competition. Being not only the most original and innovative,
but being first with a style and creating styles of my own. If they can't get it
any where else but from me, then the clients must book me for their portraits.
MP: How
did this style combining your portraits and the software evolve?
MS: Evolution
of my paintings is a great journey. I went from admiring the "look"
and having someone else do the painting in the beginning to realizing that my
vision wasn't theirs and I had to learn how to do it myself. I took classes,
private classes, got up two hours early every day so I could practice tutorials
and study and paint. One day I was trying out new ways of doing things and still
searching for something that said "Marilyn" when I came upon what
made me feel good, happy and expressed my own artwork in the strong colors and
details of a painting. It took me a short time to learn ways to replicate it
over and over and still have every painting be an original. I studied the art
world and learned that, like great photographers, being able to create a look
that says my name and can be duplicated is the way to success. MP: Who are your clients?
MS: My main sales target has always been traditional
photographic portraits. It still is, but now my clients know
about my artwork though they can't always visualize their own portraits in that style.
So I am usually booked to create photographs and when I sit with them and do
the sales presentation, I show them my ideas for a painting. They usually buy
at least one of the paintings. After they see themselves in my vision, they are
very excited. But they always think of photographs as their first purchasing
objective. I extend and expand the sale from there.
MP: What
has been your best marketing strategy?
MS: Best
marketing strategy is one I would never have believed years ago: give
it away for free. I studied
successful local and international artists and actually even viewed their
careers online to study them. I found that artists are failures when they keep
their work to themselves. The only way to get artwork sold is for the public to
see it. The best way to get to the market that can afford the prices is to get
it seen by them. The fastest way to get the right client is to donate to a
charity event where they must bid on the artwork (not a free door prize
giveaway). This guarantees that the person bidding and paying already likes the
style and wants to buy something. It immediately qualifies them not only as a
buyer, but as someone who can afford my artwork.
MP: What is your approach to working with charitite?
MS: I believe giving away to charities is the artist’s best way to get
their product seen by the right client and to meet and rub elbows and socialize
with the target market. There is an art to this process and I have spent the
last few years getting the details down right for this market and how I
actually interact at the events. My best clients that now pay full price for my
work are from previous charity events and they also are ones that always
purchase at least one painting from every portrait session.
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