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Last Updated: Mar 25th, 2008 - 20:48:15 |
Finding Clients
Marilyn Sholin on Portrait Photography (posted March 2008)
I first met fine art portrait
photographer, Marilyn Sholin, when both of us were teaching classes at the Golden Gate School. Impressed by her wonderful
images, we talked about business every chance we could that week.
Finding Clients
Creating Community (posted December 2007)
Building your creative community turns out to be one of the
most important aspects of being a creative professional. This is not any kind
of hard-sell promotion. It is the development of professional connections and
relationships on a personal level.
Finding Clients
Marketing Checkup (posted October 2007)
It is that time of year! We are all so busy doing our work
that we don’t make the time to do our job of running a business. Part of any
good business plan is the scheduling of a year-end marketing update. It is a
reality check – where have you been, where are you now, where are you going?
Finding Clients
ASMP/Oregon (posted September 2007)
September is ASMP Oregon Business Month! We're bringing back Maria Piscopo, nationally renowned photo business expert.Maria will be lecturing on Sept. 20th, doing Portfolio Reviews on Sept. 21 and leading a full day workshop on Sept. 22nd.
Sponsored by: ProPhoto Supply , AdBase , CityGraphics
Thursday Sept. 20th
Maria Piscopo on Making a Profit: Photography & Getting Paid in 2007!
In this lecture you will learn: how to establish a profitable
relationship with prospective clients from the beginning; change a
current client's perception of your pricing to get more money; gain a
competitive edge when bidding; what to do when the client wants to pay
less and you want them to pay your price.
This lecture applies to all levels of experience and includes specific
techniques you can put to work immediately. Whether you have been in
business twenty minutes or twenty years, getting paid what you want is
an important issue in today's marketplace.
Topic Outline
-Establishing a Profitable Relationship
-Change Client's Perception of Your Price
-Role-Play What to Say
-Which Budget? Finding More Money
-Gaining a Competitive Edge
-What Will It Cost the Client to Pay Less?
-Getting the Money
When: September 20, Thursday- evening lecture
What Time? 6pm Registration (7pm Program) 2 hour Lecture
Location: Studio 265 - 265 N. Hancock St. Portland, OR 97227
Price: $10 ASMP Members (and qualified Trade Groups), $25 Non-Member
Students: Free for ASMP Student Members, $10 for Students
Snacks & Drinks provided
RSVP: To reserve a seat*, please email
Piscopo LectureThis e-mail address is being protected from spam bots, you need JavaScript enabled to view it
More information on Maria Piscopo: You can head over to Maria's website, read her articles at Communication Arts, or get her book, The Photographer's Guide to Marketing & Self Promotion, from Allworth Press.
September 22, Saturday-full day workshop
Maria Piscopo on Your Clients: Find Them, Get Them, & Keep Them!
Based on the 3rd edition of Maria Piscopo's book, The Photographer's Guide to Marketing & Self-Promotion,
this program has been updated for today's new clients. You've probably
found they're harder to find and more difficult to keep! Maria's new
marketplace overview will give you the information & tools you need
to find and keep clients. Her techniques are specific, efficient and
cost-effective for every area of photography.
Whether you are making a transition to a new area of photography or
improving the level of assignments you want to get, this step-by-step
program will get you there.
Topic Outline
-Renew your current client base
-Research new clients-local or national
-Develop sales and follow-up techniques
-Increase your awareness of what clients really want
-Improve the client's perception of you
-Help clients decide you are the one to stay with
-Email marketing that works
-Improving Direct Mail and Ad response
-Web Marketing tips and techniques
-Your Marketing Mix - how to best spend your money
When? September 22, Saturday-full day workshop
What Time? 9 am to 5 pm, box lunch included, comfortable classroom seating, registration space is limited for this program.
Location: Studio 265 - 265 N. Hancock St. Portland, OR 97227
How Much? $75 ASMP Members (and qualified Trade Groups); $150 Non Members**
Includes a box lunch (Vegetarian or Carnivore)
RSVP: To reserve a seat*, please email
Piscopo WorkshopThis e-mail address is being protected from spam bots, you need JavaScript enabled to view it
* We will have an online registration form working
shortly, with the ability to take PayPal payments. RSVP's will be taken
in the order they are recieved. Workshop seating is limited.
** Anyone joining ASMP will qualify automatically for the Members price. Please contact our
membership chairThis e-mail address is being protected from spam bots, you need JavaScript enabled to view it
for details.
*** PayPal payments are refundable, but a small fee will be charged to
cover the transaction costs of returning your money to you.
Time & Stress Management
Recharging Your Creative Energy (posted July 2007)
This is the perfect time of year to
stop and reflect: where have you been? Where are you going? How do you get
there in one piece? One thing for certain, you will not make it on an
“empty tank” so we asked an eclectic and diverse group of creative
professionals to share their tips and techniques for resting and recharging. My
personal thanks go to the owners of Sagewater Spa (www.sagewaterspa.com), Rhoni Epstein
and Cristina Pestana, for seeking out and providing me with a number of
creative professionals to be interviewed for this piece. You can run “out of gas” trying to
balance conflicting needs, especially personal and professional. You need to
dedicate yourself to your work and you want to spend time for yourself or with
your family. You need to get work done and need to get some rest. Sound
familiar? Michael Fleishman is a
freelance illustrator, graphic artist, teacher and author and lists the first
most important technique– physical exercise. He also has a great suggestion, plan
some ‘buffer time’ from when you walk in the door at work to when you start
talking to clients. Michael explains, “Exercise is important. You have to fit it
in. I teach, and I found a gym that is literally right on my way to work, so I
have no excuse not to exercise. I arrange my schedule so that I can lift
weights or swim before I start my day. Most of all, I usually schedule office
hours first so I don't have to be 'on' as soon as I walk through the door to
work. “
It does not seem to matter what you
choose for your recharging as long as you identify these two things: some activities
that you can turn to and a retreat you can look forward to. Annie
Consoletti, graphic designer, says, “Play is a key element to creativity. I
don’t think one can be freely creative without having a sense of play. I put
all of my energy into whichever project I am working on and am equally as
passionate about my design work as I am in cooking, gardening and landscaping
my yard, which at the moment includes cementing and staining a wall in my back
yard.” Taking the time to rest is
critical. Those of us that travel a lot in our work find this a real challenge.
Tracy D. Taylor, Fashion Director at
Marie Claire Magazine says, “I forget that when most people
travel, they are on vacation. When I travel, I am working....with early call times,
inclement weather, and brutal schedules with tight budgets. My schedule is
pretty crazy as I travel all over the world for photo shoots. Work often gets
confused with play as so much of my typically
"off-the-business-clock" hours are spent in the context of my
professional life. I may be having drinks at the Ritz in Paris
or sitting atop a camel in India
which all sound glamorous (and I am not complaining!) but at the end of the
day, it is still work. If I don't take out time for me - which can mean
anything from sitting in front of the television to meeting friends for brunch
to an all-out vacation - I will get totally burnt out. I get busy like everyone
else absolutely, but I do believe that time-out is an investment in
yourself, your career, and your creative well-spring that pays off ten fold in
the long run!” Craig Wright, television writer on
Six Feet Under and Lost, validates physical exercise and adds another technique – walk away! He says,
“Not to be painfully obvious, but everything seems better when I've had some
sort of strenuous exercise. Other than that, I tend to work in short spurts,
with short rests in between, unless there's a looming deadline. Whenever a
creative problem seems unworkable, I give up and walk away. A few
moments later, the freedom of having given up usually allows for a new answer
to show itself. The key is actually giving up. You can't pretend to give up.” A ‘laundry list’ of activites to turn to is good to have in hand before
you need it. The worst time to try to think of something to recharge is when
you are burned out. Michael Fleishman shares his list, “Swearing
can be fun and work miracles (I'm only half kidding here). Doing something you
absolutely love to do. Being in the company of someone you cherish, someone who
listens, and who you want to listen to. Laughing. Laughing hard. Making music.
Listening to music. Making art. Looking at art. Reading. Watching movies. Certain foods (in
moderation, of course) can be medicinal, as are certain friends (sometimes also
in moderation). Sleep is good; very, very good for you.” Don’t underestimate the value of planning and being organized. In his book, The Business of Graphic Design – A Sensible Approach, Edward Gold
says “Creativity’s dirty little secret is that control is not the enemy:
control is a necessary ingredient that makes creativity possible.” Vanessa
Eckstein, founder of the design studio Bløk, validates this
point, “I discovered that the only
way to avoid stress is planning ahead the time frames of when projects should
begin and end and allocating time to explore in the middle. Prioritizing
what is important versus what is inevitable. That is the practical part but
avoiding stress is also knowing that one way or the other (and sometimes I do
wonder how!) we always get to finish the project on time and proudly.” Finding a special place to go is
one of the most common techniques among the creatives. Annie Consoletti
explains, “I moved to Los Angeles from Boston in 1977 and shortly
thereafter discovered the desert. For me it is a very creative, magical place
filled with great energy. I’ve always been a spa-goer and it happens that Sagewater
Spa has the best water in the world. For me, it is my ‘No Stress Zone’. You
feel like you’re on your own private island with beautiful magical mountains in
the distance and the sweet smell of the desert wafting by as you absorb it all
in. It definitely has Zen-elegance and I feel totally renewed after a stay and
ready to face the blank canvas!” Validating the desert theme, Sarah Sciotto Gavigan president of Ten Music.tv says, “Like the vortex in Sedona is visited by millions a year for its healing
and energetic qualities, there is something inexplicable in the relaxing
qualities of the water in Desert Hot Springs. Sagewater started out as a
weekend escape for me, a personal place. Now, after a half dozen visits, I
realize I am just clear when I am there. I can think – clear my head,
relax, soak, and re-charge my creative fire.” When you are choosing your retreat, remember three
things: Simplify. Simplify. Simplify. Television producer and writer, Andrew Reich, recommends, “When you go to a place where there are a million choices
of activities and things to do that alone can be stressful. When I go to
Sagewater it's because I want to get away from making decisions. The
decisions to be made there are pretty simple: should I go in the pool or the
hot tub? Should I sit out and read or take a nap? Shiatsu or hot
stone? Those decisions I can deal with.” Another technique is to deliberately go outside your
personal comfort zone. Vanessa Eckstein
says, “I do look for a place which will surprise me. Places in which things
happen magically because I encounter differences to what I am accustomed to. I
go where I can meet people that I would have never met had I stayed at home. I
look for situations that end up being a mixture of the everyday and the
extraordinary.”
Direct Mail and Advertising
Can Email Marketing Work for You?
[ Download/View File ]
Finding Clients
Online Resources-added May 2007
Updated resources and associations for creative professionals. Watch for my ongoing contributions to Communication
Arts magazine Freelance column, (click here to view).
Pricing & Negotiating Skills
Freelancers - Getting Paid What You Want
Summary of major points for rules to live by when pricing
your services. This can be your New Year's Resolution, getting paid full rate
for your freelance services.
Sales Strategies
Web site as Portfolio: Interview with liveBooks
Clients see your web site often before your portfolio - many times it is the portfolio! LiveBooks helps show you how to make it simple and fast.
Finding Clients
Update Your Action Plan
If you have been
reading these tips you have probably picked up quite a few techniques from
successful creative professionals in diverse areas. I have been collecting some
thoughts of my own to help you renew (or create new) your Marketing Plan of Action
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